Brooklyn Icons
Revisit this page to discover all the Brooklyn Icons as they’re rolled out during the 200th anniversary year.
Welcome to the Brooklyn Museum. This is the spot where we see art as a vital force for personal transformation and bring the past into conversation with our present.
In 2024, we mark 200 years of doing things the Brooklyn way. To celebrate, we’re recognizing 200 Brooklyn Icons: a set of standout artworks from across our encyclopedic collection. These works are singular for the stories they tell, teaching us about creative innovation, social movements, and our shared humanity.
As you explore the Icons, we invite you to dive into these histories and consider what lessons they hold for the next two centuries of art.
—Anne Pasternak, Shelby White and Leon Levy Director, Brooklyn Museum
Brooklyn Museum building
The largest object in the Brooklyn Museum’s collection is the building itself! In 1891, the Brooklyn Institute, a precursor of the Museum, announced plans for a new building on Eastern Parkway. The iconic New York architecture firm McKim, Mead & White won the bid with a design for what would have then been the largest museum in the world. Construction began in 1895 and was planned in phases; only three phases were completed, about a quarter of the initial plan. The building has since undergone numerous renovations, but many elements of the firm’s signature, European-influenced Beaux-Arts style are still visible today. Examples include the classical arches and columns, figurative sculptures in the pediment, and the lightness of building construction and materials.
Inside, the most spectacular gallery space is the Beaux-Arts Court on the third floor. Notice the skylight and the clever use of glass flooring, which allow natural light to pass to the floors below. In other galleries you can find original mosaic borders on the floors, especially on the third and fifth stories.
Outside, the upper levels of the facade are adorned with sculptures meant to personify intellectual traditions, such as Persian Literature, Greek Philosophy, and Chinese Law. A triangular pediment at the center is dedicated to art and science; the peacock at the left represents beauty, and the sphinx at the right represents knowledge.
In the Collection
Block Statue of Senwosret-senebefny
Anthropoid Coffin of the Servant of the Great Place, Teti
Wine Jar with Fish and Aquatic Plants
Century Vase
Karl L. H. MüllerIbis Coffin (Thoth)
A Storm in the Rocky Mountains, Mt. Rosalie
Albert BierstadtLintel (Pare or Kōrupe)
MaoriThe Great Red Dragon and the Woman Clothed with the Sun (Rev. 12: 1-4)
William BlakeIntimacy-Autonomy
Joan SemmelResurrection of Christ
Giovanni della RobbiaBuried Images
Joan SnyderEwer with Cover
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