Folding Screen with the Siege of Belgrade (front) and Hunting Scene (reverse)

Circle of González Family

1 of 14

Object Label

This biombo enconchado is the only known work to combine the two elite Mexican genres of biombos (folding screens) and tableros de concha nácar y pintura (shell-inlay paintings later known as enconchados). Commissioned in Mexico City by the viceroy of New Spain, it was most likely displayed in Mexico’s viceregal palace, where it would have divided a ceremonial state room from a more intimate sitting room. The work originally included six additional panels, which are now in Mexico.

Caption

Circle of González Family Mexican. Folding Screen with the Siege of Belgrade (front) and Hunting Scene (reverse), ca.1697–1701. Oil on wood, inlaid with mother-of-pearl, 90 1/2 x 108 5/8 in., 183.5 lb. (229.9 x 275.8 cm, 83.24kg) each panel: 90 1/2 x 18 1/8 in. (229.9 x 46 cm). Brooklyn Museum, Gift of Lilla Brown in memory of her husband, John W. Brown, by exchange, 2012.21. Creative Commons-BY (Photo: Brooklyn Museum, 2012.21_side2_PS6.jpg)

Gallery

Not on view

Collection

European Art

Title

Folding Screen with the Siege of Belgrade (front) and Hunting Scene (reverse)

Date

ca.1697–1701

Medium

Oil on wood, inlaid with mother-of-pearl

Classification

Screen

Dimensions

90 1/2 x 108 5/8 in., 183.5 lb. (229.9 x 275.8 cm, 83.24kg) each panel: 90 1/2 x 18 1/8 in. (229.9 x 46 cm)

Credit Line

Gift of Lilla Brown in memory of her husband, John W. Brown, by exchange

Accession Number

2012.21

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Why did someone in Mexico City commission a painting of events in Belgrade?

    Great question! The scene of a recent military victory in Belgrade would have served as a reminder of the Spanish American colony's location at the center of trade and of the Spanish viceroy's political loyalties. The hunt scene, on the reverse of the screen, is based on designs for tapestries owned by the Medici, a very important and wealthy family in Renaissance Italy.
  • Tell me more.

    This object tells a truly multicultural story of the Japanese and Dutch influences on Spanish artistic styles as well as being a visual representation of colonial Mexican allegiance to Spain. The folding screen as an object comes from Japan as well as the Spanish word “biombo” which is derived from the Japanese “byōbu.” The floral patterns over a black border are meant to resemble lacquerware.
    The battle we see on this screen represents Hapsburg victory of the Ottoman Turks in Belgrade in 1688. The Hapsburg family, at this time, controlled the Holy Roman Empire and Spain; of course, Spain controlled Mexico in New Spain. The image itself is based on etchings made by one of the most prolific Dutch printmakers of the 1680s, Romeyn de Hooghe. Editions of his work would have been imported to the New World.
  • How was mother of pearl Incorporated into the screen, was it pasted or was the canvas cut in certain places that accommodate the mother of pearl & then painted over, maybe?

    Great question! The mother of pearl is indeed inlaid into the surface, this scene was painted right onto the wood of the screen.
    Pieces of mother of pearl were set into cut-out sections in the wood. If you look at it from the right angle you can still see the iridescence.

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