Judy Chicago

1 of 4

(b. 1821, Bristol, England; d. 1910, Sussex, England)

In 1849, Elizabeth Blackwell became the first woman to receive a medical degree in the United States. The English-born physician opened the field for other women while founding important medical institutions such as the New York Infirmary for Women and Children in 1857, and the National Health Society in 1871.

Born in England, Blackwell emigrated with her family to the United States in 1832, and lived in New York City. Privately tutored both in England and in America, she began her professional career as a teacher to aid her family economically after her father’s death. At the time Blackwell decided on a medical career, there were no academically trained female physicians in the United States, making her acceptance to medical school unlikely. Admission to medical school also required previous experience, which as a schoolteacher, Blackwell did not have. Undeterred, she used her teaching skills to her advantage, moving to Asheville, North Carolina, to be a music teacher for the daughters of Dr. John Dickenson. There, Blackwell bolstered her medical résumé through his tutelage, and by observing his practice and using his medical library.

The admission of a female student into an American medical school was unprecedented. Some doctors Blackwell knew encouraged her to apply as a man, while others discouraged her altogether. She was rejected by almost all of nearly thirty schools to which she applied. She was accepted at Geneva Medical College in Geneva, New York where she began her studies in 1847. Despite being snubbed by the local community, referred to by the dean of faculty as an “inconvenience” to male students, and asked not to attend lectures on the male reproductive system, Blackwell persevered. She excelled in all of her studies, from anatomy to material medica, or the study of the origin, preparation, dosage, and administration of drugs. In January 1849, Blackwell graduated first in her class, after which the college closed its doors to women.

After medical school Blackwell faced additional difficulties. The dean never wrote the recommendation letters he once promised her. She was refused jobs in numerous hospitals; she had difficulty finding patients who would be treated by a female doctor and consequently she had trouble establishing her own practice. With the help of a cousin, in 1850, Blackwell began studying under Sir James Paget at St. Bartholomew’s Hospital in London. She started a friendship with activists Baroness Anne Isabella Noel Byron (Lady Byron), and Barbara Leigh Smith, and also met Florence Nightingale, who was fighting for medial reform in England. Blackwell returned to the U.S. in 1851 to open a private practice with her sister Emily, who was studying to become a doctor in Chicago and facing opposition due to the controversy caused by Elizabeth’s accomplishments.

Blackwell soon became an advocate and lecturer for the benefits of preventative medicine and physical hygiene. At the same time, she urged other women to pursue medical careers and pushed to make medical education available to more women. In order to address her biggest concerns—improving access to medical care and providing a place for women to work in the medical field—Blackwell founded the New York Infirmary for Indigent Women and Children in 1857, which still exists as part of the New York University Downtown Hospital.

Although she preferred that women study alongside men in the same medical schools, Blackwell realized the obstacles to co-ed education. In 1868, she established the Woman’s Medical College of the New York Infirmary and served as its professor of hygiene. In 1869, Blackwell returned to England, where she continued her medical advocacy. Leaving her sister to run the infirmary and college, Blackwell lived out the remainder of her life in England, continuing her work as a lecturer and advocate for medical causes. She published her autobiography, Pioneer Work in Opening the Medical Profession to Women, in 1895.

Elizabeth Blackwell at The Dinner Party

Elizabeth Blackwell’s place setting is a metaphor for both her triumphs and her difficulties in the field of medicine. The plate is comprised of twisting, brightly colored forms that swirl toward a central “black well,” a visual pun on the doctor’s name. Like the new opportunities for women that arose out of Blackwell’s efforts, the plate’s curling color bands seem to be lifting off and growing out of their base.

The plate’s bright palette is repeated through the rainbow colors of the runner, an abstract butterfly shape with scalloped edges resembling wings. The butterfly is a symbol repeatedly used in The Dinner Party to represent women’s freedom. In this setting, it can be interpreted as a celebration of Blackwell’s landmark achievements in medicine. The swirling motion depicted in the plate and runner also symbolizes the shift in thinking that allowed for more opportunities for women. The brilliant colors of the runner, however, are veiled in a thin gray chiffon, suggesting the difficulties Blackwell and other women pursuing careers in male-dominated fields still had to endure. The technique used to create the runner’s form, reversed appliqué, or the cutting away of layers of fabric, is also a metaphor for the “obstacles faced by women wishing to break into various professions” (Chicago, The Dinner Party, 131).

The illuminated letter “E” on the front of the runner is embroidered as a stethoscope, a medical symbol referencing Elizabeth Blackwell as the first female doctor in the U.S.

Primary Sources

The Laws of Life, With Special Reference to the Physical Education of Girls. New York: G. P. Putnam, 1852.

Counsel to Parents on the Moral Education of Their Children, In Relation to Sex. 1878; 2nd ed., London: Hatchards, 1879.

The Human Element in Sex: Being a Medical Enquiry Into the Relation of Sexual Physiology to Christian Morality. London: J. & A. Churchill, 1884.

Purchase of Women: The Great Economic Blunder. London: John Kensit, 1887.

The Religion of Health. 1871; 3rd ed., London: Moral Reform Union, 1889.

Why Hygienic Congresses Fail: Lessons Taught by the International Congress of 1891. London: Bell & Sons, 1892.

Pioneer Work in Opening the Medical Profession to Women: Autobiographical Sketches. London: Longmans, 1895.

Scientific Method in Biology. London: Elliot Stock, 1898.

Essays in Medical Sociology. 2 vols. London: Ernest Bell, 1902.

Translations, Editions, and Secondary Sources

Bashford, Alison. Purity and Pollution: Gender, Embodiment, and Victorian Medicine. Basingstoke: Macmillan, 1998.

Bix, Amy Sue. Introduction to Pioneer Work in Opening the Medical Profession to Women: Autobiographical Sketches, by Elizabeth Blackwell. Amherst, N.Y.: Humanity Press, 2005.

Boyd, Julia. The Excellent Doctor Blackwell: The Life of the First Woman Physician. Stroud, England: Sutton, 2005.

Kline, Nancy. Elizabeth Blackwell: A Doctor’s Triumph. Berkeley: Conari Press, 1997.

Sabin, Francine. Elizabeth Blackwell. New York: Troll Associates, 1982.

Sahli, Nancy Ann. Elizabeth Blackwell, M.D. (1821–1910): A Biography. 1974; 2nd ed., New York: Arno Press, 1982.

Walsh, Mary Roth. Introduction to Pioneer Work in Opening the Medical Profession to Women: Autobiographical Sketches, by Elizabeth Blackwell. New York: Schocken Books, 1977.

Wright, Mary. Elizabeth Blackwell of Bristol: The First Woman Doctor. Bristol, England: Bristol Branch of the Historical Association, 1995.

Caption

Judy Chicago American, born 1939. Elizabeth Blackwell Place Setting, 1974–1979. Runner: Cotton/linen base fabric, woven interface support material (horsehair, wool, and linen), cotton twill tape, silk, synthetic gold cord, colored cotton, cotton fabric, chiffon, cotton, metallic cord, silk threads, cotton thread Plate: Porcelain with overglaze enamel (China paint), Runner: 51 7/8 x 31 in. (131.8 x 78.7 cm) Plate: 15 x 15 x 2 1/2 in. (38.1 x 38.1 x 6.4 cm). Brooklyn Museum, Gift of The Elizabeth A. Sackler Foundation, 2002.10-PS-33. © artist or artist's estate (Photo: Brooklyn Museum, 2002.10-PS-33_threequarter_PS9.jpg)

Title

Elizabeth Blackwell Place Setting

Date

1974–1979

Medium

Runner: Cotton/linen base fabric, woven interface support material (horsehair, wool, and linen), cotton twill tape, silk, synthetic gold cord, colored cotton, cotton fabric, chiffon, cotton, metallic cord, silk threads, cotton thread Plate: Porcelain with overglaze enamel (China paint)

Classification

Sculpture

Dimensions

Runner: 51 7/8 x 31 in. (131.8 x 78.7 cm) Plate: 15 x 15 x 2 1/2 in. (38.1 x 38.1 x 6.4 cm)

Credit Line

Gift of The Elizabeth A. Sackler Foundation

Accession Number

2002.10-PS-33

Rights

© artist or artist's estate

The Brooklyn Museum holds a non-exclusive license to reproduce images of this work of art from the rights holder named here. The Museum does not warrant that the use of this work will not infringe on the rights of third parties. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org. If you wish to contact the rights holder for this work, please email copyright@brooklynmuseum.org and we will assist if we can.

Frequent Art Questions

  • Who was Elizabeth Blackwell?

    Elizabeth Blackwell was the first woman to graduate from medical school in the United States and was a leading public health advocate during her lifetime. She even helped establish a medical school for women in 1861.
    The design of the plate and runner are a reference to a butterfly, like many forms at "The Dinner Party." In this case the butterfly symbolizes taking flight considering Blackwell's contributions to the advancement of women's role in medicine.
  • A doctor, so the design is the Hippocratic Oath?

    The design on the plate is seen as a metaphor for Blackwell's triumphs in the male dominated field of medicine.
    The rainbow twisting forms swirl toward a central "black well" -- a visual pun on the doctor's surname.

Have information?

Have information about an artwork? Contact us at

bkmcollections@brooklynmuseum.org.