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(b. circa C.E. 25, Celtic Britain; d. circa C.E. 62, Celtic Britain)

Boadaceia is one of many spellings for the name of the famous warrior queen from Celtic Britain, who ruled during the first century, when the Roman Empire was growing and taking over many of the area’s Celtic tribes. Other spellings of her name include Boudica, Boadicea, Buduica, and Bonduca, though a more popular version is Boadicea, which may be a mistranslation from an original manuscript. The name is thought to come from the Celtic word bouda, which means victory, making the name a Celtic equivalent to the modern name Victoria.

Boudica (this spelling is used in an effort to stay as true as possible to her original Celtic name) was married to Prasutagus, king of the Iceni people, a Celtic tribe living in southeastern England (present-day Norfolk). Prasutagus, following tradition, willed his kingdom to the Roman Empire, with the provision that his two daughters be co-heirs. After his death, the Romans annexed his kingdom as though it were conquered territory. The Iceni people’s property was stolen, and Prasutagus’s family treated as slaves. His widow Boudica was reputed to have been beaten by the Roman soldiers and her two daughters raped.

In the year C.E. 60, the Iceni joined with the Trinovantes, a neighboring people, to revolt against the Romans. They chose Boudica, the popular widow of their beloved king, as their leader. After a series of smaller battles in which Boudica’s troops were victorious, they met the full force of the Roman army. The Roman soldiers were far outnumbered by the rebel Celtic forces, but they were better equipped and defeated Boudica and her army after a long battle, which Boudica commandeered from a chariot with her daughters. Boudica’s army was slaughtered, and it was shortly after this battle that she died.

There are two historical sources on Boudica’s life—one claims she poisoned herself and the other asserts she died from illness. Historical sources note that she was buried with all the pomp and ceremony accorded the funeral of a great leader. Since the discovery of these sources during the Renaissance, the popularity of her legend has grown, and her life continues to be interpreted in popular culture. She is a cultural symbol in Great Britain, as she stands for leadership, strength, and courage against an occupying power.

Boadaceia at The Dinner Party

After researching Boudica, Chicago and her team decided to use powerful Celtic images to represent her as a warrior queen. The patterns on the runner are constructed from felt, which many scholars agree was the first fabric, predating any woven textiles. The felt on the runner was made using the traditional process of compacting wool with water, heat, and pressure. The powerful curvilinear forms encircling the plate “signify both [Boudica’s] personal strength and the Roman encroachment upon her autonomy and power” (Chicago, Embroidering Our Heritage, 80).

On the plate there is a structure similar to Stonehenge, representing the British Isles where her people were from. A stylized golden helmet, also decorated with Celtic patterns, signifies Boudica’s status as a warrior.

Adorning the swirling patterns in the runner are handmade enameled jewels, which could be found on the traditional Celtic jewelry that Boudica would have worn as queen. The embroidered patterns on the runner and in the illuminated letter “B,” were also adapted from designs found on first-century jewelry, shields, and mirrors.

Primary Sources

Tain Bo Cuailnge from The Book of Leinster. Trinity College, Dublin, MS H 2.18. 1160.

Tacitus. Annals, Agricola, Histories.

Translations, Editions, and Secondary Sources

Andrews, Ian. Boudicca’s Revolt. Cambridge, UK and New York: Cambridge University Press, 1972.

Collingridge, Vanessa. Boudica:The Life and Legends of Britain’s Warrior Queen. New York: Overlook Press, 2006.

Fraser, Antonia. Boadicea’s Chariot. London: Weidenfeld & Nicolson, 1988.

Grant, Michael, trans. Tacitus: The Annals of Imperial Rome. 1956; reprint ed., London and New York: Penguin Books, 1996.

Hingley, Richard, and Christina Unwin. Boudica: Iron Age Warrior Queen. London: Hambledon and London, 2005.

Mallory, J. P., ed. Aspects of the Táin. Belfast: December Publications, 1992.

Scott, James M. Boadicea. London: Constable, 1975.

Sealey, Paul R. The Boudican Revolt Against Rome. Buckinghamshire, UK: Shire Publications, 1997.

Webster, Graham. Boudica: The British Revolt Against Rome, AD 60. 1978; reprint ed., London: Routledge, 2000.

Wellesley, Kenneth, trans. Tacitus: The Histories. 1964; reprint ed., London and New York: Penguin Books, 1995.

Caption

Judy Chicago American, born 1939. Boadaceia Place Setting, 1974–1979. Runner:Cotton/linen base fabric, woven interface support material (horsehair, wool, and linen), cotton twill tape, silk, synthetic gold cord, silk thread, handmade wool/felt forms, wool yarn, copper, “jewels,” thread Plate:Porcelain with overglaze enamel (China paint) and burnished gold, Runner:52 x 30 1/2 in. (132.1 x 77.5 cm) Plate:14 x 14 x 1 3/16 in. (35.6 x 35.6 x 3 cm). Brooklyn Museum, Gift of The Elizabeth A. Sackler Foundation, 2002.10-PS-12. © artist or artist's estate (Photo: Brooklyn Museum, 2002.10-PS-12_plate_PS9.jpg)

Title

Boadaceia Place Setting

Date

1974–1979

Medium

Runner:Cotton/linen base fabric, woven interface support material (horsehair, wool, and linen), cotton twill tape, silk, synthetic gold cord, silk thread, handmade wool/felt forms, wool yarn, copper, “jewels,” thread Plate:Porcelain with overglaze enamel (China paint) and burnished gold

Classification

Sculpture

Dimensions

Runner:52 x 30 1/2 in. (132.1 x 77.5 cm) Plate:14 x 14 x 1 3/16 in. (35.6 x 35.6 x 3 cm)

Credit Line

Gift of The Elizabeth A. Sackler Foundation

Accession Number

2002.10-PS-12

Rights

© artist or artist's estate

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Frequent Art Questions

  • Why is it fuzzy?

    It is fuzzy because it is made of felt, which Judy Chicago selected because it is one of the oldest types of textiles. It was actually made in a historical method of compressing wool with water and heat. The curling outlines alluded to Boadaceia’s personal strength and Roman encroachment on her autonomy and power.
  • The plate for Boadaceia is gorgeous. Please tell me more!

    Boadaceia was a tribal leader in Celtic Britain. She led a resistance against the Romans who were conquering the British Isles, breaking a treaty they had with her father when he was king. Sadly her revolt was unsuccessful and after a series of defeats she committed suicide.
    Thank you!
  • I'd like to know more about Boadaceia!

    Boadaceia was a warrior queen of the Iceni people in Celtic Britain. She helped unify tribes to wage war on the Romans, who were attempting to conquer the British Isles. She is viewed as a cultural symbol in Britain, and stands for leadership and strength at the dinner party.
  • Who is that?

    Boadaceia, also known as Boudica, was a Celtic warrior queen who is known for having led a revolt against the ancient Romans during their oppressive rule over the area that is now England.
    She is celebrated in Britain as a hero in the struggle for independence. She united multiple Celtic tribes under her leadership in the name of the revolt. According to the Roman historian Tacitus, she said “Nothing is safe from Roman pride and arrogance. They will deface the sacred and will deflower our virgins. Win the battle or perish, that is what I, a woman, will do.”
  • Do you know how "Boadaceia" is pronounced?

    I believe it is pronounced "BOO-dih-cah."
  • Is this Celtic?

    Yes! Boadaceia, or Boudica, is remembered as a vengeful, warrior queen who led a Celtic revolt against the oppressive Roman rule over England. She is celebrated in Britain as a hero in the struggle for independence.
    The curling lines take inspiration from Celtic art and these appliqués are made of felt using historical techniques of compressing wool with water and heat.

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