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Object Label
Florine Stettheimer captured the dynamic social worlds of her intimate circle of family and friends, many of whom were artists and members of New York’s avant-garde. This whimsical portrait was inspired by a birthday celebration for Stettheimer’s mother at the family’s summer retreat in Bedford Hills, New York. Stettheimer’s interest in theater and set design is apparent through the arrangement of a stagelike space composed of horizontal bands of color. The blazing hues, coupled with the lithe bodies of the women and the wilted tree branches in the background, evoke the summer heat described in the painting’s title.
Caption
Florine Stettheimer American, 1871–1944. Heat, 1919. Oil on canvas, 50 x 36 1/2in. (127 x 92.7cm) frame: 56 1/2 x 43 in. (143.5 x 109.2 cm). Brooklyn Museum, Gift of the Estate of Ettie Stettheimer, 57.125. No known copyright restrictions (Photo: Brooklyn Museum, 57.125_PS20.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Artist
Title
Heat
Date
1919
Medium
Oil on canvas
Classification
Dimensions
50 x 36 1/2in. (127 x 92.7cm) frame: 56 1/2 x 43 in. (143.5 x 109.2 cm)
Credit Line
Gift of the Estate of Ettie Stettheimer
Accession Number
57.125
Rights
No known copyright restrictions
This work may be in the public domain in the United States. Works created by United States and non-United States nationals published prior to 1923 are in the public domain, subject to the terms of any applicable treaty or agreement. You may download and use Brooklyn Museum images of this work. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). The Museum does not warrant that the use of this work will not infringe on the rights of third parties, such as artists or artists' heirs holding the rights to the work. It is your responsibility to determine and satisfy copyright or other use restrictions before copying, transmitting, or making other use of protected items beyond that allowed by "fair use," as such term is understood under the United States Copyright Act. The Brooklyn Museum makes no representations or warranties with respect to the application or terms of any international agreement governing copyright protection in the United States for works created by foreign nationals. For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.
Frequent Art Questions
I've always loved Florine Stettheimer's work. What are we seeing here?
"Heat" shows the five women of the Stettheimer family. Mother Rosetta appears at the top in a black dress, and she’s accompanied by her four daughters: Stella (also in black), Carrie (in yellow), Ettie (in flowered pink) and Florine herself (in white). All five women look like they're drooping from the heat, and so are the branches of the willow trees behind them and the cherry blossoms in a vase on the table. Stettheimer painted "Heat" to commemorate the summer of 1918, which the family spent at a rented country house in Bedford Hills, New York. Although she was inspired by a specific date and occasion—her mother’s birthday, as noted on the cake at the bottom!—time and place are ambiguous in this scene. The Stettheimer sisters appear ageless, or at least much younger than they really were in 1918.Stettheimer spent much of her early life traveling and studying art in Italy, Spain, France, Germany, and Switzerland, but she and her sisters and mother came back to New York after World War I and settled permanently in Manhattan. She also designed theatrical stage sets and wrote poetry. However, she rarely exhibited her art during her life time, and since she was independently wealthy, she was free to practice her art without the financial concern of selling it as an income.I've seen how the surrounding paintings relate the city to the evolving role of the women, but not this one.
"Heat" is by Florine Stettheimer, a female artist. In this painting, she is depicting her mother, three sisters, and herself.How does it relate to the city?The painting was created to commemorate the summer of 1918 and her mother's birthday. The women are wearing urban, fashionable clothing and all appear younger than they are. Stettheimer herself is the woman in the white dress.The Stettheimers had lived in Europe as expatriates but they came back to America at the time of World War I and settled in New York. They were known in New York for their social gatherings of artists, writers, and other creative types. Here we're seeing them at the country place they rented that summer... but we're definitely seeing them as modern, independent women!Got it! Thank you.Is this painting considered part of the Surrealist movement, or something else?
Florine Stettheimer generally isn't considered part of the surrealist movement. What about this painting makes you think of surrealism?I guess the positioning and abstraction of the figures and the trees. It doesn't seem to be a literal scene, more a figurative scene. What movement or style would it be considered apart of?I can see some similarity for sure. The painting is actually depicting an event from Stettheimer's life, given a fantastical twist. The figures are her mother, three sisters, and the artist herself (she's in white) and depicts her mother's birthday party from the summer of 1918. However, she has given the scene a dreamlike quality: are we inside or outside? What time of day or night is it? We're not sure! Also, the women are shown much younger than they were in real life at that point.Stettheimer's art has been hard to classify since her work is fairly unique. She spent many years in Europe and continued her artistic training here in New York. Some movements that influenced her would be Symbolism and Post-Impressionism.Okay, thanks!Do you know what's written on either side of "happy"?
Thats a good question! It's a birthday cake for Stettheimer's mother. I believe it reads, "Many Happy Returns."
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