ca. 1390–1352 B.C.E.

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Object Label

Sakhmet, whose name means “The Powerful One,” wears a sun-disk and cobra on her brow, identifying her as the daughter of the sun-god Re. In her role as the Eye of Re, Sakhmet was dispatched abroad to destroy Egypt’s enemies. Angered because Re set another goddess in her place while she was away, the Eye refused to return and protect Egypt, until pacified by wine, music, and dance. The Egyptians explained the sun’s annual motion toward the south and then back to Egypt as the Eye’s departure and return. In other myths, Re’s Eye symbolized natural phenomena, such as the Nile’s annual flood and the Egyptian new year.

Caption

Bust of the Goddess Sakhmet, ca. 1390–1352 B.C.E.. Granodiorite, 39 x 19 7/8 x 15 9/16 in., 443 lb. (99 x 50.5 x 39.5 cm, 200.94kg). Brooklyn Museum, Gift of Dr. and Mrs. W. Benson Harer, Jr. in honor of Richard Fazzini and the excavations of the Temple of Mut in South Karnak, Mary Smith Dorward Fund and Charles Edwin Wilbour Fund, 1991.311. Creative Commons-BY (Photo: Brooklyn Museum, 1991.311_front_SL1.jpg)

Title

Bust of the Goddess Sakhmet

Date

ca. 1390–1352 B.C.E.

Dynasty

Dynasty 18

Period

New Kingdom

Geography

Possible place collected: Thebes (Karnak), Egypt

Medium

Granodiorite

Classification

Sculpture

Dimensions

39 x 19 7/8 x 15 9/16 in., 443 lb. (99 x 50.5 x 39.5 cm, 200.94kg)

Credit Line

Gift of Dr. and Mrs. W. Benson Harer, Jr. in honor of Richard Fazzini and the excavations of the Temple of Mut in South Karnak, Mary Smith Dorward Fund and Charles Edwin Wilbour Fund

Accession Number

1991.311

Rights

Creative Commons-BY

You may download and use Brooklyn Museum images of this three-dimensional work in accordance with a Creative Commons license. Fair use, as understood under the United States Copyright Act, may also apply. Please include caption information from this page and credit the Brooklyn Museum. If you need a high resolution file, please fill out our online application form (charges apply). For further information about copyright, we recommend resources at the United States Library of Congress, Cornell University, Copyright and Cultural Institutions: Guidelines for U.S. Libraries, Archives, and Museums, and Copyright Watch. For more information about the Museum's rights project, including how rights types are assigned, please see our blog posts on copyright. If you have any information regarding this work and rights to it, please contact copyright@brooklynmuseum.org.

Frequent Art Questions

  • Is the Sekhmet statue here from the same collection as The Met's statues?

    Yes! The King Amunhotep III commissioned between 600 and 730 of these statues for his mortuary temple!
    Sakhmet was primarily a protector of Egypt, but she was also associated with medicine and healing. It is known that an epidemic of plague swept through the Near East during Amunhotep III's reign so scholars think the numerous Sakhmets were meant as either a continued protection against disease or as a "thank you" for having already protected him.
    I see Thank you very much!
  • Does the goddess have the head of a lion?

    She does! Lionesses were venerated in ancient Egypt for their motherly instincts including both gentle nurturing and fearsome protection. It closely aligned with their understanding of Sakhmet, a goddess responsible for protecting Egypt.
    Both lions and cats were renowned for their hunting skills including patience, speed, silence, precision, and ability to see in the dark. The ancient Egyptians ascribed the ferocious aspects to lions, but together they represented a duality and balance important to Egyptian belief.
    Thank you!! :)
  • Isn't Sakhmet associated with violence a bit?

    Right! In her role as a protector, she is believed to fiercely defend Egypt from all enemies and typically does so through violence.
    Her violence was actually believed to be so relentless as to threaten all life on earth. She had to be placated with offerings like beer dyed red to resemble blood.
    I see Thank you very much!

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