Ceremonial seat (ngundja)
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Object Label
ART OF DESIGN
African artists have a long history of responding to fresh design concepts, while always revising them to ends both practical and novel. Together, these three works trace the evolution of a single form: first, as an imported idea became African, and then as contemporary artists adapted this African form for a global market.
Most seats in sub-Saharan Africa are low stools, carved from a single block of wood. Yet, as early as the sixteenth century, Portuguese traders and explorers introduced chairs with backs to southern and eastern Africa. Chokwe artists soon began to produce similar chairs, adding sculptural scenes and Chokwe motifs. This wood chair was carved as an object of status for a chief.
In fact, none of these three chairs were meant for sitting. Gonçalo Mabunda's Harmony chair uses decommissioned handguns, bullet belts, and other munitions collected from the estimated 7 million weapons left in Mozambique following the end of its civil war in 1992. Its design references a coastal East African tradition of high-backed chairs that were symbols of power and prestige, discussion and debate.
The Sansa chair, an inventive deconstruction of the chair form, is among the original creations that have established Cheick Diallo as one of Africa's leading contemporary designers. Built at Diallo's direction by artisans from Bamako, the half-reclining Sansa chair seems to sit midway between a European notion of the chair as a leisure object and a West African idea of the chair as a support for displaying a person of status.
Caption
Chokwe artist. Ceremonial seat (ngundja), 19th century. Copper alloy, animal hide, wood, 26 3/4 x 12 x 15 1/2 in. (67.9 x 30.5 x 39.4 cm). Brooklyn Museum, Museum Expedition 1922, Robert B. Woodward Memorial Fund, 22.187. Creative Commons-BY (Photo: Brooklyn Museum, 22.187_threequarter_SL1.jpg)
Collection
Collection
Culture
Title
Ceremonial seat (ngundja)
Date
19th century
Geography
Possible place made: Angola, Possible place made: Democratic Republic of the Congo
Medium
Copper alloy, animal hide, wood
Classification
Dimensions
26 3/4 x 12 x 15 1/2 in. (67.9 x 30.5 x 39.4 cm)
Credit Line
Museum Expedition 1922, Robert B. Woodward Memorial Fund
Accession Number
22.187
Rights
Creative Commons-BY
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