Brooklyn Museum photograph
Object Label
<blockquote><i>When I'm doing my pottery I think of Mom [Marie Z. Chino] first, and that she could help me. I want to do like she does. She didn't need outlining, she just painted, and sometimes I do that now I know the design and I just do it.</i></blockquote><p>-Grace Chino, quoted in Rick Dillingham, Fourteen Families in Pueblo Pottery (1994)</p><br /><p>The Chino family, led by the matriarch Marie Z. Chino, was innovative in adapting the designs found on prehistoric pottery shards to modern pottery forms. Grace Chino here used a dazzling, closely lined black-and-white design on a new vessel form reminiscent of ancient Pueblo pots. The result is a form of abstraction that embraces tradition as essential to innovation.</p>
Caption
Grace Chino Haak’u (Acoma Pueblo), 1929–1995. Vase, 1989. Clay, slip, 15 x 36 3/8 in. (38.1 x 92.4cm) diameter at top: 2 7/8 in. (7.3 cm). Brooklyn Museum, Augustus Graham School of Design Fund, 1990.68. Creative Commons-BY (Photo: Brooklyn Museum, 1990.68_PS20.jpg)
Gallery
Not on view
Collection
Gallery
Not on view
Collection
Maker
Title
Vase
Date
1989
Geography
Place made: Acoma, New Mexico, United States
Medium
Clay, slip
Classification
Dimensions
15 x 36 3/8 in. (38.1 x 92.4cm) diameter at top: 2 7/8 in. (7.3 cm)
Credit Line
Augustus Graham School of Design Fund
Accession Number
1990.68
Rights
Creative Commons-BY
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Frequent Art Questions
What was some of the work Grace Chino did?
Grace Chino was a highly respected potter who made traditional Acoma pottery, using native clay, temper, slips, and paints.
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