Cotton-Goods Lane, Odenma-cho, No. 7 in One Hundred Famous Views of Edo

Utagawa Hiroshige

Brooklyn Museum photograph

Object Label

According to medieval theology, humility was the source of all virtues, an appropriate metaphor for Mary as the Mother of God. In Lorenzo Monaco’s devotional painting Mary is depicted as the Madonna of Humility, seated not on a throne but on a cushion resting on a marble pavement. Pictures like this were in high demand in Florence, and Monaco made several similar versions of this composition, likely for private patrons.

Caption

Utagawa Hiroshige Japanese, 1797–1858. Cotton-Goods Lane, Odenma-cho, No. 7 in One Hundred Famous Views of Edo, 4th month of 1858. Woodblock print, Image: 13 3/8 x 9 in. (34 x 22.9 cm) Sheet: 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm). Brooklyn Museum, Gift of Anna Ferris, 30.1478.7. No known copyright restrictions (Photo: Brooklyn Museum, 30.1478.7_PS20.jpg)

Gallery

Not on view

Collection

Asian Art

Title

Cotton-Goods Lane, Odenma-cho, No. 7 in One Hundred Famous Views of Edo

Date

4th month of 1858

Period

Edo Period, Ansei Era

Geography

Place made: Japan

Medium

Woodblock print

Classification

Print

Dimensions

Image: 13 3/8 x 9 in. (34 x 22.9 cm) Sheet: 14 1/8 x 9 1/4 in. (35.9 x 23.5 cm)

Signatures

Hiroshige-ga

Markings

Publisher: Shitaya Uo Ei

Credit Line

Gift of Anna Ferris

Accession Number

30.1478.7

Rights

No known copyright restrictions

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